profiterole / pièce montée

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Group_w180x130The May 2010 Daring Bakers’ challenge was hosted by Cat of Little Miss Cupcake. Cat challenged everyone to make a pièce montée, or croquembouche, based on recipes from Peter Kump’s Baking School in Manhattan and Nick Malgieri.

Information on pièce montée and recipes for the different elements of the challenge can be found here.

In her introduction to the challenge, Cat explains: “The classic pièce montée is a high pyramid/cone made of profiteroles (cream-filled puff pastries) sometimes dipped in chocolate, bound with caramel, and usually decorated with threads of caramel, sugared almonds, chocolate, flowers, or ribbons.”

According to my dictionary, in Italian, the word profiterole indicates a small bignè alla crema (cream puffs filled with pastry cream) and by extension a dessert made of many small bignè. Profiterole has a special place in my heart: as a child I was fascinated by this elaborate dessert. Though bignè (with various fillings) are common pastries in Italy, the chocolate binding them together to my eyes elevated the composition to a higher sphere. I had not thought about making profiteroles before Cat challenged us to do so, though I had made pâte à choux before, both in the sweet and the savory realm. I wrote about the positive experience in bignè alla crema and gougères al gouda, respectively.

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I halved the recipe for pâte à choux provided by Cat and got 20 bignè. I used a small spoon to shape the bignè (my preferred method), then used a finger dipped in hot water to smooth them out, as suggested in the recipe. To fill the bignè, I made a batch of my crema, infusing half of a vanilla bean cut in half lengthwise in the hot milk to flavor it (instead of lemon peel). Once cooled, I piped the crema into the bignè, which turned out nice and hollow inside.

I never had any doubt that I would use only melted dark chocolate (cioccolato), 70% cocoa content, to construct my little pièce montée. From an early age, I have had a problem with hard caramel glaze on bignè, as I don’t like the contrast between the hard caramelized sugar and the lightly crisp bignè shell, which segues immediately into the soft filling. Melted chocolate offers, in my opinion, the perfect binding material: it provides stability by hardening into a layer of the right consistency, so the progression of taking one bite is: 1) crack thin layer of chocolate, 2) break crisp bignè shell, 3) glide into creamy filling. Basically, heaven.

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As you can see, my decoration was simple. However, I am proud of my ability to construct a piece that showed some height (four layers) and a solid structure. As support, I used an espresso cup (tazzina da caffè) without handle (due to an accidental fall). The roses come from one of the bushes planted by a previous owner of our house on the side where our bedroom is located.

Back to the lovely dessert. A special thank you goes to our host for her choice and her efforts. It was an interesting and fun challenge. I hope you will take the time to go around and look at the creative output of my talented fellow Daring Bakers.


Click on the button to hear me pronounce the Italian words mentioned in the post: 

profiterole

or launch the profiterole  audio file [mp3].

 

crema pasticcera di zia Lucia / pastry cream à la aunt Lucia

Zia Lucia passed away five years ago this week. She never married and lived all her life in Poggio Catino, a village in central Italy, in the house where she and all her siblings, among them my father, were born and grew up.

In my childhood and adolescence, she played the role of Fairy Godmother, knitting, sewing and cooking for me pretty much whatever I fancied. She taught me to make crema pasticcera, as a way of making me consume fresh (raw) milk, which I did not like to drink by itself. For decades, that was pretty much the only thing I could make in the kitchen, in the sense of both knowing how to make it and being allowed by my mother to make it in her kitchen.

When I made crema under my aunt’s direction, I would pour it in my special gold-rimmed china bowl and carry it to the dispensa, a walk-in pantry located in the coolest part of the house. The dispensa was a special cabinet of curiosities. My aunt made different kinds of jam, fruit in syrup, and giardiniera (pickled vegetable medley). She used ancient-looking glass jars to preserve fresh sausages in olive oil (salsicce sott’olio), let grapes dry into raisins and hung braids of garlic from nails hammered on the edge of the top shelf.

image from briciole.typepad.com

When mid-afternoon came around I retrieved my bowl of crema from the dispensa. Sometimes my aunt scattered on the smooth sunny surface some of her deep purple amarene sotto spirito (sour cherries preserved in alcohol) and I would eat my crema while sitting on the front steps of the house, basking in the sun, surrounded by her pots of hydrangeas, fuchsias and dahlias. I know that my aunt’s happiness in life was seeing me so completely content.

I didn’t get to say farewell to my aunt. And I didn’t get to ask her for her recipes for a long list of goodies she would make for her brothers and their families, when they visited her and for special occasions, like Christmas and Easter. I have decided that, instead of spending my energy regretting something I cannot change, I will invest it into improving my cooking skills.

Here is my recipe for crema pasticcera, derived from my aunt’s instructions. I no longer eat a bowl of crema for my afternoon snack. I usually make it as filling for crostata, using the ingredients listed below. Last summer I shared the recipe with Paz of The Cooking Adventures of Chef Paz and she honored me by using it to make a special anniversary dessert.

Ingredients:

  • 2 extra-large eggs [see Notes below on alternatives]
  • 1/3 cup sugar (65 g) [see Notes below on sweetness level]
  • 500 ml milk (slightly more than 2 cups) [see Notes below on milk options]
  • 3 strips of lemon peel about 3″ long and 1/2″ wide (using a potato peeler to cut the strips makes it easier to avoid cutting the white part of the lemon) [see Notes below on alternatives]
  • 3 tablespoons pastry (or unbleached regular) flour (25 g) [see Notes below on alternatives]

Pour the milk into a pan, add the lemon peel and warm up to to well below boiling point. In a mixing bowl, beat the eggs with the sugar until the mixture is bubbly. Sift the flour over the egg mixture and beat briefly until it is incorporated. Temper the egg mixture with a small quantity of milk, then slowly add the rest of the milk, mixing with a wooden spoon. Pour the mixture into the pan and set it to very low heat, stirring at least every couple of minutes. When the froth on the surface disappears completely, the crema starts to feel slightly thicker. From then on stir almost continuously. When the crema reaches boiling temperature and thickens, cook briefly (1-2 minutes), then remove the pan from the heat, remove the lemon peel, place the saucepan in a cold water bath, and stir the crema to bring down its temperature. While the crema cools down, stir it every now and then to prevent the formation of a film over it.

I remember my aunt telling me that the crema should not boil, but according to Harold McGee, it must do so. In the recipe, the addition of flour has the objective of making the crema able to hold its shape. As McGee explains in his book “On Food and Cooking,” cream fillings (to which category crema pasticcera belongs) must be boiled in order to get the desired effect, because, “egg yolks contain a starch-digesting enzyme, amylase, that is remarkably resistant to heat,” and, unless neutralized, will “digest the starch and turn the stiff cream into a pourable one” (page 98).

Notes

  • When I have leftover yolks, I use 1 egg and 2 yolks, or 4 yolks. Using all yolks makes a more traditional crema pasticcera. The crema in the photo above was made with 4 yolks that came from having made another batch of the exquisite chiffon cake from last month Daring Bakers’ challenge. My aunt’s version is lighter in color and texture.
  • My crema is not very sweet. You can certainly add more sugar.
  • I have made crema using whole milk and also lower fat alternatives (including non-fat milk). However, I have never tried to use a milk-substitute.
  • I sometimes use vanilla sugar instead of regular sugar. You can also make a vanilla-flavored crema, by infusing a piece of vanilla bean split in half lengthwise, in the heated milk for an hour or so before using it.
  • There are many recipes for crema, and some use different types of starch, like wheat starch and corn starch. I have never tried using them. The higher the amount of starch, the thicker the crema. Keep in mind though that crema thickens a bit as it cools.
  • When I made crema with my aunt, I used one egg and 250 ml (a cup) of milk. I sometimes make the same amount (for various uses), in which case the amount of sugar is 3 tablespoons (33 g), the amount of flour is 1 1/2 tablespoons (12 g) and the amount of lemon strip is half the one specified above.

All the possible variations make crema quite versatile. Did I say it that it is delicious? 

Apples__thyme_logo This is my submission for the Apples & Thyme memoir event co-hosted by Jeni of The Passionate Palate and Inge of Vanielje Kitchen. Here is Jeni’s round-up and here is Inge’s roundup of Apples & Thyme #1.


Click on the button to hear me pronounce the Italian words mentioned in the post: 

crema pasticcera

or launch the crema pasticcera audio file [mp3].

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